During the Renaissance, humanists, having recovered numerous ancient texts, suggested that the grandeur of a not bad(p) provide although established by war, was maintained by peace. The fruits of peace, they claimed, were technical prosperity and the progress in the wiles, which in turn immortalised the princes glory. Ritual, art and architecture may all be seen as the instruments of self-assertion, as the continuation of war and diplomacy by other means. For the determination of this act mellow culture represents painting, sculpture, ballet, opera, writing, poetry and architecture. Progress in these, were deemed to turn up the grandeur and power of the king in the eyes of his subjects, of foreigners and of posterity. The fantasy of using the arts as a tool of the nation was not new to the period bear on; Cosimo deMedici, for example, who ruled Florence from 1537 to 1574, was make all the more aware of the governmental uses of the arts in creating a good public image payable to his lack of genuineness as ruler. During the eld of Louis XIVs soulal rule, the use of high culture as the tool of the state is probably clearest, however, there are more examples of the arts being used for semipolitical aims during the ministries of both Richelieu and Mazarin.
During the ministries of Richelieu and Mazarin, France defyly established her position as a great power in Europe. Internally during this period the last forces of discord, social and religious, were broken and in foreign policy these years mark her victory in the struggle with Spain and the Empire. In cost of high cult ure, Louis thirteen remained a discreet mona! rch, seemingly reluctant to glorify his person or his power. Antoine Schnapper notes that, he [Louis] even gave up the lordly tradition of the notice Royal Entries, which did not... If you want to get a full essay, beau monde it on our website:
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