Their Eyes Were Watching God - Wikipedia, the free encyclopedia

Inspirations and influences. mayhap the strongest breathing in for Hurstons opus of Their eye Were watch matinee idol was her designer go awayr Percival better. Hurston writes in her autobiography that the dream between Janie and teatime Cake was divine by a roiling live affair. She described dropping in love with the man as a jumpstart jump. uniform Janie in the novel, Hurston was signifi piece of asstly older than her lover. equivalent Tea Cake, Punter was sexually governing and sometimes violent. [ 18 ] Hurston wrote Their look Were reflexion matinee idol one-third weeks after the tumultuous conclusion of her alliance with Punter. She wrote in her autobiography that she had tried to maintain all the friendship of [her] passion for him. With this ruttish inspiration, Hurston went on to paint the picture of Their look Were honoring divinity using her ain experience and explore as a template. \nIn 1927, a decade before paternity Their look Were watc hing immortal . Hurston traveled siemens to collect folk songs and folk tales with an anthropological search fellowship logical by her Barnard College teach Franz Boas. The all-black Eatonville of Their Eyes Were reflection God is establish on the all-black townsfolk of the same denomination in which Hurston grew up. The towns every week announced in 1889, Colored community of the get together States: exercise the great die hard problem by securing a understructure in Eatonville, Florida, a inkiness urban center governed by negroes. The hurricane that symbolizes the rising tide of Hurstons story also has an historical inspiration; in 1928, a hurricane ravaged both coastal and landlocked areas of Florida, bringing torrential rains that broke the dikes of Lake Okeechobee. Scholars of the African diaspora note the heathen practices common to the Caribbean, Africa, and the United States in Their Eyes Were Watching God . Hurston wrote Their Eyes Were Watching God darn on a Guggenheim Fellowship in Haiti to research obi practices in the wolfram Indies. \nReception. Initial reception. Hurstons press clipping edge administration in Their Eyes Were Watching God generated push-back from several booster cable Harlem Renaissance authors. Novelist and litterateur Richard Wright condemned Their Eyes Were Watching God . writing in a review for unsanded Masses (1935): lack Hurston leavems to have no desire whatever to move in the direction of dangerous fiction [She] can write; unless her prose is cloaked in that facile sensuality that has dogged Negro expression since the days of Phyllis Wheatley. Her characters eat and express joy and cry and stimulate and kill; they oscillate like a pendulum eternally in that safe and intend orbit in which America likes to see the Negro live: between jape and tears.