John Machiorlatti and Amanda Chartier Review of ?Tartuffe? field of honor 402 October 30, 2001 The Face of virtue/The Face of deplorable: Tartuffe Brings Laughter and a Lesson to the Power tenderness         Friday evening?s slaying of Moliére?s Tartuffe, presented by Minneapolis?s Theatre de la Jeune Lune company, was a thoroughly entertain dis runaway of Renaissance-period free rein incorporating modern theatrical practices to score a wonderfully modern-day rendering of a mere story.         Tartuffe was first performed in a private production for major power Louis XIV of France on may 12th, 1664, at Versailles. In a fair warning to the powerfulness and a plea for support, Moliére wrote, ?[Other] comedies attack piety and righteousness itself, which [the people] do not reverence much for. But this one, Tartuffe, attacks them, and shows them for what they argon. And that, they cannot stand. They go forth never discharge me.? Inde ed, although the dramatic play pleased the king immensely, it was forbidden from public performance because of strong objections from officials of the Catholic church, led by the Company of the dedicated Sacrament. Moliére at first protested, because revised the play, and in 1667 he was permitted to produce it for a bite time in mien of the king and his court. Again it was banned. Finally, subsequentlywards Moliéres third petition to the king, the ban was lifted in 1669 and the play was performed for the public.
It was an instant success, and it is this third version of the play that was published, protec ted from censorship, and is instanter perfo! rmed all over the world. Moliére?s comedies are usually more light-hearted than the comical yet uncomfortably dismal Tartuffe. natural as Jean-Baptiste Poquelin in 1622, he took the stage clear ?Moliére? at the age of twenty-one and began to write farces graven after Italian commedia dell?arte, which was very active in Paris. His comedies pronto caught the... If you want to get a full essay, nightspot it on our website: BestEssayCheap.com
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